Notes
Concepts & Principles (拳理) — the ideas behind the movement
On this page
Styles are the vehicles; this section is about the principles they all share — the ideas a practitioner of any northern art keeps running into: trained force, standing practice, the elemental theory, martial ethics, and the cultivation language of qi. These concepts usually live buried inside individual style pages; here they get their own treatment, honestly framed and cross-linked to the arts that use them.
Force and power
The theory of the internal arts
Five Elements & Twelve Animals (五行十二形) — the elemental and animal framework that organizes Xingyi
Internal vs External (內家 / 外家) — the most argued-over distinction in Chinese martial arts
Neijia Quanfa (內家拳法) — the older 'internal boxing' of Wang Zhengnan, before Taiji took the name
Technique and conditioning
The Yijinjing (易筋經) — the 'sinew-changing' conditioning classic at the root of the Shaolin legend
Cultivation and ethics
Qi (氣) — what the word means in the martial context, and how to talk about it without pseudoscience
Wude (武德) — martial virtue: the ethical code, what's genuinely old in it and what's modern
See also
Northern Kung Fu Styles — the arts that put these principles to work
Source Texts — the manuals where these ideas were first written down
Details
- Section:
- Notes
- Updated:
- 2026-06-05
More in this section
- Southern Kung Fu Styles (南拳) — A Field Guide
- Southern Shaolin & the Five Elders (南少林) — the founding myth examined
- Hung Ga (洪拳) — the tiger-crane art of the South
- Wong Fei-hung (黃飛鴻, 1847–1925) — the man behind the legend
- Choy Li Fut (蔡李佛) — the long-and-short synthesis
- Chan Heung (陳享, 1806–1875) — founder of Choy Li Fut